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齐白石画籍(QiBaishi's calligraphy and painting)

书画

起拍价:13000000

保证金:

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起拍价:13000000加价方式:10000元
运费:包邮   手续费: 5%
延时: 最后2分钟出价,时间延长5分钟。

出价记录


拍品共计出价99次,此处显示最近10次出价。
在拍品详情查看更多出价!

商品描述

该件标的为:齐白石画籍。该件作品保存完整,用墨精炼,笔锋苍劲有力,意境独特,画作的描摹也是栩栩如生。齐白石(1864年1月1日1957年9月16日),汉族,祖籍安徽宿州砀山,生于湖南长沙府湘潭(湖南湘潭)。名璜,字萍生,号白石、白石翁、老白,又号寄萍、老萍、借山翁、齐大、木居士、三百石印富翁,中国近现代书画家、书法篆刻家 ,其主要绘画作品有《墨虾》《牧牛图》《蛙声十里出山泉》《松柏高立图·篆书四言联》等,著有《借山吟馆诗草》《白石诗草》等诗集,出版有三卷本《齐白石作品选集》《齐白石山水画选》等画册。
齐白石于
1877年做木匠学徒,次年改学雕花木工;1888年,弃凿学画,先后师从萧芗陔、文少可、胡沁园、谭溥等;1889年,师从诗人画家陈少蕃学习诗文;1894年,任笼山诗社社长。1899年,师从经学家、文学家王闿运学习诗文;1902年,出游陕西、北京、江西、广东、广西;1919年,定居北京,从陈师曾劝,始行变法;1926年,任教于国立北京艺术专门学校;1946年,赴南京、上海举办个展,并任北平艺专名誉教授;1949年,当选中国文学艺术界联合会委员、中华全国美术工作者协会委员;1952年,获聘为中央美术学院名誉教授、中央文史馆研究馆员、北京中国画研究会主席、北京中国画院名誉院长;1953年,获选为中国美术家协会主席;1954年8月,当选为中华人民共和国第一届全国人民代表大会代表;1955年12月,当选为德意志民主共和国艺术科学院通讯院士;1957年,任北京中国画院名誉院长,9月16日,在北京逝世,享年93岁其作品也是备受藏家关注。而且书画类藏品作为收藏三大项之一,其市场关注度一直不错。近年来,由于我国加大了对文化产业的重视,导致艺术品的身价水涨船高,珍稀的艺术品其市场热门度,成交率都非常不错。投资艺术品也成为众多投资者的第一选择。所以无论从收藏角度还是经济价值角度来看,该件藏品都十分值得入手
The subject of this item is QiBaishi's calligraphy and painting. This work is well preserved, with refined ink, powerful and vigorous strokes, and a unique artistic conception. The depiction of the painting is also lifelike. Qi Baishi (January 1, 1864 – September 16, 1957) was a Han ethnic group with ancestral roots in Dangshan, Suzhou, Anhui. He was born in Xiangtan, Changsha Prefecture, Hunan Province. Huang, also known as Ping Sheng, also known as Bai Shi, Bai Shi Weng, Lao Bai, and also known as Ji Ping, Lao Ping, Jie Shan Weng, Qi Da, Mu Jushi, and 300 Stone Seal Rich Man, is a modern Chinese calligrapher, painter, and seal engraver. His main painting works include "Ink Shrimp", "Cattle Hustle Painting", "Frog Sounds Out of a Spring from Ten Miles", "Pine and Cypress Gao Li Tu - Seal Script Four Character Couplet", and he has published poetry collections such as "Borrowing Mountains and Chanting Hall Poetry Grass" and "White Stone Poetry Grass". He has also published three volumes of "Selected Works of Qi Baishi" and "Selected Landscape Paintings of Qi Baishi".
Qi Baishi became an apprentice carpenter in 1877 and switched to carving carpentry the following year; In 1888, he abandoned chiseling to learn painting and successively studied under Xiao Xiangxin, Wen Shaoke, Hu Qinyuan, Tan Pu, and others; In 1889, he studied poetry and literature under the guidance of poet and painter Chen Shaofan; In 1894, he served as the president of the Longshan Poetry Society. In 1899, he studied poetry and literature under the guidance of Wang Kaiyun, a Confucian scholar and literary figure; In 1902, he traveled to Shaanxi, Beijing, Jiangxi, Guangdong, and Guangxi; In 1919, he settled in Beijing and began the reform after being advised by Chen Shizeng; In 1926, he taught at the National Beijing Art Specialized School; In 1946, he went to Nanjing and Shanghai to hold solo exhibitions and served as an honorary professor at Beiping Art College; In 1949, he was elected as a member of the China Federation of Literary and Artistic Circles and a member of the All China Artists Association; In 1952, he was appointed as an honorary professor at the Central Academy of Fine Arts, a research museum member at the Central Museum of Culture and History, chairman of the Beijing Chinese Painting Research Association, and honorary dean of the Beijing Chinese Painting Academy; In 1953, he was elected as the Chairman of the Chinese Artists Association; In August 1954, he was elected as a representative to the first National People's Congress of the People's Republic of China; In December 1955, he was elected as a communication academician of the Academy of Arts and Sciences of the German Democratic Republic; In 1957, he served as the Honorary Dean of the Beijing Chinese Painting Academy. On September 16th, he passed away in Beijing at the age of 93. His works have also attracted the attention of collectors. Moreover, as one of the three major collectibles, calligraphy and painting collections have always received good market attention. In recent years, due to China's increased emphasis on the cultural industry, the value of artworks has skyrocketed, and the market popularity and transaction rate of rare artworks are very good. Investing in art has also become the first choice for many investors. So from both a collection perspective and an economic value perspective, this collection is definitely worth buying

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