郑板桥（1693年11月22日—1766年1月22日），原名郑燮，字克柔，号理庵，又号板桥，人称板桥先生，江苏兴化人，祖籍苏州。清代书画家、文学家。康熙秀才，雍正十年举人，乾隆元年（1736年）进士。官山东范县、潍县县令，政绩显著，后客居扬州，以卖画为生，为“扬州八怪”重要代表人物。郑板桥擅画兰、竹、石、松、菊等，而画兰竹五十余年，成就最为突出。取法于徐渭、石涛、八大诸人，而自成家法，体貌疏朗，风格劲峭。工书法，用汉八分杂入楷行草，自称六分半书。并将书法用笔融于绘画之中。主张继承传统十分学七要抛三，不泥古法， 重视艺术的独创性和风格的多样化，所谓未画之先，不立一格，既画之后，不留一格，对今天仍有借鉴意义。诗文真挚风趣，为人民大众所喜诵。亦能治印。其诗书画，世称“三绝”，是清代比较有代表性的文人画家。.
而且书画类藏品作为收藏三大项之一，其市场关注度一直不错。近年来，由于我国加大了对文化产业的重视，导致艺术品的身价水涨船高，珍稀的艺术品其市场热门度，成交率都非常不错。投资艺术品也成为众多投资者的第一选择。所以无论从收藏角度还是经济价值角度来看，该件藏品都十分值得入手
而且书画类藏品作为收藏三大项之一，其市场关注度一直不错。近年来，由于我国加大了对文化产业的重视，导致艺术品的身价水涨船高，珍稀的艺术品其市场热门度，成交率都非常不错。投资艺术品也成为众多投资者的第一选择。所以无论从收藏角度还是经济价值角度来看，该件藏品都十分值得入手
The item is marked as: Zheng Ban Qiao Four Screens. This work is well preserved, with refined ink, powerful and vigorous strokes, and a unique artistic conception. The depiction of the painting is also lifelike.
Zheng Banqiao (November 22, 1693- January 22, 1766), formerly known as Zheng Xie, with the courtesy name Kerou, the courtesy name Li'an, and also known as Banqiao, was born in Xinghua, Jiangsu Province, with ancestral roots in Suzhou. A calligrapher, painter, and writer of the Qing Dynasty. Kangxi scholar, passed the imperial examination in the tenth year of Yongzheng, and passed the imperial examination in the first year of Qianlong (1736). He served as the county magistrate of Fan County and Wei County in Shandong Province, with remarkable political achievements. Later, he lived as a guest in Yangzhou and made a living by selling paintings. He was an important representative figure of the "Eight Eccentrics of Yangzhou". Zheng Banqiao is skilled in painting orchids, bamboo, stones, pine, chrysanthemums, etc., and has been painting orchids and bamboo for more than 50 years, with the most outstanding achievements. Taking inspiration from Xu Wei, Shi Tao, and the Eight Great Masters, he developed his own family style, with a sparse appearance and a strong style. Gong Calligraphy, using Han eight parts mixed with regular script and cursive script, claims to be six and a half parts calligraphy. And integrate calligraphy brushes into painting. Advocating the inheritance of tradition, we must learn from the seven and discard the three, not blindly adhere to ancient methods, and attach importance to the originality of art and the diversity of styles. The saying goes, before painting, do not establish a grid, and after painting, do not leave a grid, which still has reference significance for today. Poetry and prose are sincere and humorous, and are loved by the people. It can also treat seals. His poetry, calligraphy, and painting, known as the "Three Wonders", were representative literati painters in the Qing Dynasty
Moreover, as one of the three major collectibles, calligraphy and painting collections have always received good market attention. In recent years, due to China's increased emphasis on the cultural industry, the value of artworks has skyrocketed, and the market popularity and transaction rate of rare artworks are very good. Investing in art has also become the first choice for many investors. So from both a collection perspective and an economic value perspective, this collection is definitely worth buying
郑板桥擅画兰、竹、石、松、菊等，而画兰竹五十余年，成就最为突出。取法于徐渭、石涛、八大诸人，而自成家法，体貌疏朗，风格劲峭。工书法，用汉八分杂入楷行草，自称六分半书。并将书法用笔融于绘画之中。主张继承传统十分学七要抛三，不泥古法， 重视艺术的独创性和风格的多样化，所谓未画之先，不立一格，既画之后，不留一格，对今天仍有借鉴意义。诗文真挚风趣，为人民大众所喜诵。亦能治印。 [25]其诗书画，世称“三绝”，是清代比较有代表性的文人画家。
